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  • Click on "Online Submission" menu to submit your abstract(s) / full paper.ī.
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    Click on the "Registration" menu to create ConfBay Account and proceed for conference registration by logging in the system.Registration and submission of Full Paper must be done electronically through this online submission system. Selected articles will be published in:Ī. Economic Analysis based on Islamic ThurathĪll articles will be published in a proceeding.Islamic Banking and Finance in the Context of Islamic Economics.Application of Islamic Economics in the Current Industry Mitten im Herzen von Ostfriesland bietet Euch das MaTheo Kuchencafé in Ihlow leckeres Eis, herrliche Kuchen und sehr guten Kaffee.Socio-Economic Justice in the Context of Islamic Economics.The ultimate objective of this conference is to promote Islamic economics as a solution for all the socio-economic problems rather than looking at it as just a philosophy. International Research Centre of Islamic Economics and Finance (IRCIEF-KUIS) and the Centre for Islamic Economics (CIE-IIUM), in collaboration with Islamic University of Maldives, UIN Ar-Raniry and KUISCELL Sdn Bhd are pleased to invite you to the 1st International Conference on Islamic Economics 2022 (ICONIE 2022). The Future of Applied Islamic Economics towards Achieving Socio-Economics Justice

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    (Photo from Alex Gonzaga via Instagram) Television host actress turned vlogger Alex Gonzaga said that she has resolved her.

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    Enacting a pseudo-scientific persona, in this performance I announced the fictive discovery of an archive of Greek laments, which addresses issues of queer mourning and desire, while also bringing to the fore the absence of lament when it comes to queer subjectivities, in the past, but also in the present.1ST INTERNATIONAL CONFERENCE ON ISLAMIC ECONOMICS 2022 (1ST ICONIE 2022) J7:30 PM Alex Gonzaga in New Jersey, USA in November 2019. Departing from an analysis of 'The Fair Retribution', and after offering a selective overview of the discourses of early folklorists regarding the use of Greek laments in the nationalist project, this article proceeds with a self-reflexive account of my lecture-performance Poustia kai Ololygmos: Selections from the Occult Songs of the Greek People. This was the case, for instance, of Georgios Tertsetis, whose quasi-demotic song 'The Fair Retribution' (H Δικαία Eκδίκησις) raises issues regarding desire between men, but also upon the impossibility of the subjects of such a desire to be mourned and lamented. Furthermore, it was not unusual for these scholars to create themselves quasi-demotic songs, in the manner and style of oral tradition. Yet, the archives of oral poetry in general were extensively edited-but also partially constructed-by early folklorists in order to serve ideological purposes related to the construction of national identity, and to the promotion of the nation's image according to Western European notions of Hellenism.

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    Within this ideological context, Greek laments were strategically used by nineteenth-and early twentieth-century folklorists as survivals of an uninterrupted oral tradition, and hence as original proofs of continuity between modern Greeks and their supposed ancestors. As a literary genre or mode of performance, but also as a rhetorical trope, it has had a constitutive role in shaping national identity. Lament in Greece has been historically linked to notions of cultural continuity and national belonging.















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